Yay Shakespeare Time!
So in The Tempest there is
this really smart dude named Prospero. He is a duke who is betrayed by his
brother and basically exiled to a deserted island so that the brother can take
his place as duke. In order to regain his dukedom, Prospero uses magic –and his
wits- to stage an elaborate reveal of his brother’s treachery.
One of the first things that The Tempest mentions about Prospero is that his magic comes from
his books. It isn’t that these books are spell books; the idea is that magic
comes from knowledge. I really like how bluntly Shakespeare connects the idea of
wizardry with wisdom.
Magic is also repeatedly referred to as an art. There is
this theme in The Tempest of order
versus chaos. Art and music are considered ordered patterns or ordered sound.
Magic is being framed as orderly and purposeful in this text, which I think is
very interesting. I had never specifically thought about magic as orderly, but
most of the conjurers that I have read about adhere to rules when practicing
magic. The fight for control of your magic is a sweeping theme in a lot of
texts. In Harry Potter magic is controlled
through learning and practice in a school environment. Their powers may not
come directly from knowledge, but without gaining knowledge they would never be
so versatile in their spell casting abilities. In the Harry Dresden series
there are magic words and rituals that he had to learn to practice magic
effectively. Even Merlin can only teach magic to someone who is first a scholar
(Prose Merlin).
If magic is cool when it is this thing that can be learned
about and controlled, then it becomes scary when it is unfamiliar and
uncontrollable. This suggests that magic has two sides to it, star wars style.
It can be ordered like society or it can be unchecked like nature. I think that
this has to say something about us as a society that we are drawn to order and
are scared by raw nature. We are still fighting that whole cave man thing.
Everyone wants to be better than our ancestors. It’s also just common sense to
be terrified of nature. Nature is unpredictable; a tsunami might wipe out half
of Japan or you might be struck dead by lightning while walking home one
afternoon. What is very clear is that we as a society value knowledge as a
trait. All of the good sorcerers are smart cookies, and a whole slew of the bad
ones are less informed. Examples: Morgana (in some portrayals), Harry Dresden
Book 1 villain, Caliban, and all of the witches ever (see Demonology).
The Tempest can
teach us that there is no Utopia. There is no control. As much as Prospero
wants everything to go his way, even he can’t predict everything or fight his
own imperfections. But it also teaches us that we will fight for that nonexistent
Utopia even knowing it isn’t real.
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